Jerry Garcia Amp Settings – How to Get His Guitar Tone Easily!

Author: Dedrich Schafer | Updated: | This post may contain affiliate links.

Jerry Garcia of the Grateful Dead might not have been the most influential guitarist of his time, but he certainly had a unique and inspired tone.

But how did he achieve his sound? Let us explore the gear he used and see if we can recreate his unique tone.

Jerry’s Guitars

Unfortunately, getting the same guitar used by Jerry Garcia is quite literally impossible. Jerry played custom-built guitars that are truly one of a kind.

His main guitar was one built by Doug Irwin. It used custom wound single coil pickups as well.

The easiest way to get close to his tone is with a single coil Strat-style guitar. That means that a Fender Strat like the American Professional II or the Player Stratocaster is the two obvious options. The Squier Classic Vibe ‘70s is also a great budget option.

Jerry’s Amps

Just like his guitars, Jerry’s amps are also not easy to come by. His main amp for much of his career was a Fender Silverface Twin Reverb.

These amps are quite rare. You will likely only be able to find one second-hand on Reverb, and even then, it is going to set you back thousands of dollars.

But luckily, there are great alternatives that are more affordable. They will also still be able to get you quite close to Jerry’s sound.

The best option will be a similar Fender amp. The ‘65 Twin Reverb is a modern amp that is fairly similar to the Silverface.

The Tone Master Deluxe Reverb is also a great option, and the Fender Champion is a good budget option that pairs well with a Strat.

Jerry’s Pedals

Jerry’s pedalboard is a bit more straightforward than his guitars and amps. The pedals he used can still easily be found.


For overdrive, he used a few different Boss pedals. But mainly, he used the ever-popular Ibanez Tube Screamer. This was his main pedal for many years until he moved over to the Boss OS-2.


His delay pedal was the MXR MX118. He used this for most of his career, replacing it immediately when one broke without testing other delay pedals.

The MX118 is hard to come by these days, but the MXR Carbon Copy is a good alternative. Its tone isn’t quite as weighty as the MX118’s, but it is still a fantastic analog delay.


There isn’t much information regarding the reverb he used. It is known that he used a Real Tube Reverb.

Alternatively, you can just use a good analog reverb pedal like the TC Electronics Drip Spring Reverb.


For distortion, Jerry used a Boss HM-2 Heavy Metal distortion pedal, whose modern version is the HM-2W.

Interestingly, he would often use it alongside his OS-2 overdrive pedal. As you can imagine, using an overdrive and distortion at the same time can cause some noise issues.

To compensate for this, he used a Boss GE-7 Equalizer pedal. This helps to shape the sound of the overdrive and distortion.

Envelope Filter

The final piece of Jerry’s pedalboard was his envelope filter. He specifically used a Mu-Tron III.

This pedal creates a variety of synth sounds through your guitar. The more percussive your playing and the sharper you play your strings, the crazier the sounds you get.

The Mu-Tron III is another piece of vintage gear that is hard to come by. Alternatively, you can use an envelope filter like the Electro-Harmonix Micro Q-Tron.

Jerry’s Amp Settings

With the right gear picked out, we can finally start looking at the settings that Jerry Garcia used.

Jerry’s tone was fairly bright and had quite a bit of twang to it. But he was also known for boosting his mids to make his tone a bit fuller and punchier.

There was very little bass in his tone, and not too much gain. It was also quite spacey, thanks to his use of reverb and the envelope filter.

Let us take a look at a basic signal chain to get a Jerry Garcia sound. For this chain, we will use the envelope filter and the Tube Screamer. These will go into the amp, followed by the reverb.

So, starting with the envelope filter, your settings should look something like this:


  • Q – 5
  • Thresh – 5
  • Level – 6

Tube Screamer

  • Gain – 6/7
  • Tone – 5
  • Level – 6


  • Gain – 6
  • Volume – 6
  • Bass – 2
  • Mids – 8
  • Treble – 9


  • Dwell – 4
  • Tone – 5/6
  • Level – 4

With these settings, you should be able to get fairly close to Jerry’s sound. Don’t forget to experiment and adjust the settings until they sound right to you. Every amp and pedal is different, and these settings won’t necessarily be universal.


And that should do it for Jerry Garcia’s tone. This should be all the gear and settings you need to get you playing your favorite Grateful Dead songs.

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About Dedrich Schafer

Dedrich is a guitar player, songwriter and sound engineer with extensive music production and studio experience. He mostly listens to classic rock and punk bands, but sometimes also likes listening to rap and acoustic songs.

5 thoughts on “Jerry Garcia Amp Settings – How to Get His Guitar Tone Easily!”

  1. Guitar: Rosebud 3 Dimarzio super 2s. Tiger & Wolf 2 super 2s and their single coil version for the neck. All HBs were wired for series & single coil. The unity gain buffer preamp was the EMG JG1.
    You’ll need JBL D120’s in your silver twin, or save your $ The E 120 comes close, the k120 has a ceramic magnet. The D was alnico. Big difference in sound!
    Mutron octave divider under was left out! The Mutron boxes have NO COMPETITION! They’re back in business.

  2. The tone was in him 9 fingers he could play ant rig and still sound like him.
    The closest I have herd is Nelson of NRPS with a standard tele.

  3. I’m surprised he even owned a distortion pedal. I don’t believe I’ve ever heard him use it. I’d like to though.

  4. This is all wrong. First, Jerry never used a Tube Screamer. His amp settings were treble dimed, mids at halfway, and bass all the way off. He didnt use an HM2 until 1988 and that was the only year he used it. He used blackface amps as his main amps up til around 1969, silverface and blackface through 73 with a blackface preamp for 74 wos. Hr uses a mesa boogie mark1 from 76 through 76 with his dual twin cabinet not arriving for main use starting im 1977.


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