Choosing the best fender amps for guitar is a difficult task, due to the vastness and quality of their range. For the past half-century, they have been at the forefront of amplifier production.
This longevity is a result of the guitarist’s obsession with the Fender tone. Whether you’re looking for a solid-state or tube amp, you’ll find a high-quality offering in this guide to enhance your live performances and recordings.
7 Best Fender Amps
1. Mustang LT25
Fender’s Mustang series is their do-it-all series of amps. These modeling amps are stacked to the brim with features and sounds.
The Mustang series has a much more modern design than other Fender amps. A lot of people are turned off by this design as it isn’t the more vintage look that Fender amps are known for. I quite like the sleek design of the Mustang series and I think that it helps to set it apart from other Fenders.
The LT25 is also compact and lightweight. If you are looking for a small amp that can be carried around easily, I think you will be hard pressed to find many amps that beat it. This is also helped by how powerful the amp is.
This amp is certainly among the louder 25-watt amps I have played. This amp isn’t limited to being just for bedroom practice. You will have no problem taking the LT25 to small club gigs or out busking.
But the real draw of the LT25, for me at least, is it’s sound. This is a modeling amp, so you can expect a wide range of different sounds.
I am a bit more familiar with the Mustang GT40, which is the sort of flagship Mustang amp. The LT25, being a smaller, less powerful Mustang, did make me wonder just how it would compare to the GT40.
But it seems that Fender has used the exact same modeling engine on both amps. They haven’t downgraded it for the LT25. This is something that sometimes happens with modeling amps.
While the LT25 is, of course, not as powerful as the GT40, the quality is the same. And that quality stretches across all 20 amp models and 25 effects.
There wasn’t a single amp or effect that I felt wasn’t on the same level as the others. They all sound equally fantastic.
The selection of amps is also great, from classic Fender amps like the Princeton Reverb, to the legendary Vox AC30, and even metal heavy-hitters like the Marshall JCM800.That means that you can play practically any genre with the LT25. From soft jazz, to bluesy rock, and even thrashy metal.
On the surface, the ’65 Princeton Reverb seems like a very simple amp. But like so many other Fender amps, it isn’t so much about what is on the surface, but what is underneath.
The Princeton Reverb looks like how you would expect a Fender amp to look. It has the classic silver mesh front and big, red power light at the front.
Controls are also fairly straightforward. It has a volume knob and 2-band EQ with a treble and bass. I also prefer having an amp with a full 3-band EQ, but the EQ on the Princeton is sensitive enough and provides great control over tone.
And then we move over to the reverb controls. Where most amps would just have a simply reverb knob, the Princeton also has a speed and intensity knobs. Hence it being called the Princeton Reverb.
This gives you much greater control over the reverb on the amp. In my experience, you are able to get everything from delicate, soft reverb, to big, echoing reverb, and even fast, almost machine gun-like vibrato.
The reverb is a bit bright for my taste, but I found that dialing back the treble a bit helps to lessen the brightness. Other than that, I think this amp has one of the best reverbs of any amp in this price range.
The tone of the amp overall is just fantastic. Especially when set to where it just starts to distort. The amp has this nice crunch to it while still sounding crystal clear. Overall, I would describe the tone of the Princeton as ‘vintage American’.
While the Princeton is quite loud for a 12-watt amp, I don’t think it is quite loud enough for gigs. But it works absolutely great as a studio amp. If you are looking for that classic Fender amp sound for your recordings, I would highly recommend the Princeton.
If you’re looking for an amp that can create huge, cavernous reverb, to quick firing tremolo, and everything in between, then look no further than the Princeton Reverb.
The Blues Junior IV is a legendary combo amplifier with an abundance of tonal character and vintage appeal. Conveniently sized, it is perfect for the gigging and recording musician.
One of the standout qualities of the Blues Junior IV is its compatibility with effects pedals. Due to the neutral, warm clean tone it produces, the amplifier provides a blank canvas to color with effects.
Compared to previous Blues Junior models, the IV edition features some notable improvements. These include a newly upgraded Eminence Red White and Blues 12 inch speaker, and improved reverb producing capabilities.
The preamp section has also been tweaked to improve the performance of the amp. The natural clean tone is versatile enough to use across a variety of styles, including rock, funk, jazz, and R n’ B.
At the heart of the Blues Junior IV’s output is the classic EL84 power sections. These reinforce the amplifier’s ability to merge seamlessly with effects pedals to create your desired tones.
Other features include the 3-band EQ section for adjusting the frequency response of the amplifier and a Fat switch that instantly boosts the low end and gain with the simple push of a button.
The ’65 Deluxe Reverb is a 22-watt tube amplifier that produces the unmistakable Fender tone. Housing four 12AX7s, a pair of 12AT7s, a pair of 6V6s, and a 5AR rectifier tube, it neither lacks in power nor tonality.
The reverb and vibrato effects are both driven by tubes, ensuring that they sound vintage and authentic. This reissued classic looks and sounds like a genuine 1960s amplifier.
The output power of the ’65 Deluxe Reverb is a result of the inclusion of a 12 inch Jensen speaker, which adds a touch of refinement to the thick sounds produced by this guitar amp.
If you’re looking for the classic Fender tone but don’t require unnecessarily high voltage, this combo amp is worth considering. Its all-tube design promotes warmth and grittiness which the gain and volume controls are cranked, whilst retaining dynamic control.
Another unique attribute of the ’65 Deluxe Reverb is its limited edition aesthetics. With wine red textured vinyl covering the majority of the amplifier and a wheat grille cloth protecting the speaker, it looks startlingly classy.
There are also two controls on both the normal channel and the vibrato channel for tweaking the treble and bass frequencies. The amp facilitates a 2-button footswitch for selecting your desired channel.
The Champion 20 is a budget Fender amplifier for rehearsing, recording, and playing small-sized venues. It houses multiple modes and effects preset which can be toggled using the rotary controls on the front panel.
This combo amp is a solid choice for guitarists who want access to effects without needing to purchase several pedals. Some of the onboard effects include delay, reverb, chorus, tremolo, and more.
Another feature that’s worth mentioning is the tempo sync, which allows you to perfectly match the speed of the effects with the tempo of a backing track or the rest of your band.
Fender has also included a stereo aux input for using the amp with a media player of your choice. This capability is great for learning new material, composing, or soloing over an instrumental track.
With the classic Fender Blackface styling, a dark Bronco vinyl covering, and vintage-style hardware, the Champion looks the part. It emits a vintage feel that is well matched to the tones it produces.
The Twin Reverb is one of the most revered tube amplifiers to ever be produced, and now Fender has paid tribute to it with a digital version. The Tone Master edition features 200 watts of solid-state power and an abundance of tone-enhancing features.
Built using state-of-the-art lightweight digital amplifier components, and high-quality neodymium Jensen speakers, the Tone Master Twin reverb has no problems soaring to high volumes.
When pushed to its dynamic limits, the solid-state design of this amplifier helps to preserve its tonal clarity. It feels incredibly light for such a substantial-looking amp, weighing only 33 lbs.
This reduced weight is largely due to the smart decisions Fender made when designing the Tone Master. Solid pine was used for the cabinet, which, compared to most conventional material, reduces excess heaviness significantly.
A pair of 12 inch Jensen N12Ks are housed within the Tone Master and deliver clear-sounding low end with plenty of sparkle in the higher frequencies. The 5-way power attenuator keeps wattage down to produce authentic-sounding break ups.
The connectivity options that the Tone Master Twin Reverb offers are also versatile. There's a balanced XLR output, which can be used with either of the two onboard cab simulators for silent rehearsals and recording.
The Fender amplifier range stretches further than solid-state and tube models. If you’re looking for an amplifier that takes up minimal space, the Micro Mustang is one of the best options on the market.
Providing you with the easiest way to access Fender’s highly respected Mustang GTX amp and effects models, the Mustang Micro is perfect for jamming, rehearsing, or recording.
This mini processor is loaded with an array of tones, which you can quickly access by plugging your guitar into the jack input. In total there are 12 amplifier modelers and 13 onboard effects.
For recording, the Mustang Micro is a highly useful tool. It removes the need to use a bulky amplifier to access the classic Fender tube tones that are very popular amongst musicians worldwide.
You can choose to either send the output of the Micro Mustang directly to a pair of headphones, or studio monitors. It can also be hooked up to the input channel on your DAW for a direct and clean recording.
With a rechargeable battery that has a life of up to 4-6 hours, this mini amp will last long enough for the full performance or recording session. It features a hands-on EQ unit and multiple volume controls.
Picking the Best Fender Guitar Amp for You
Choosing between Fender guitar amps is not an easy task. Each of the listed options in this guide has numerous strengths, and choosing between them can be difficult. Some specifics should be considered before making your choice.
Firstly, you need to determine whether you want a solid-state or tube amplifier. Fender produces a plethora of both amp types. If you aren’t familiar with the differences, here are the main points you need to know.
Tube amplifiers were the first to be produced by Fender, and they are fitted with inner valves. They produce a warm, vintage, instantly recognizable tone, and often also have onboard spring reverb and tremolo units.
When the tubes warm up, this causes the signal to be saturated. Break-ups in the tone occur, and a natural tube overdrive is produced. This tone is highly sought after amongst guitarists and music purists.
Solid-state Fender amps are digitally modeled, and usually house multiple amplifier settings and extensive onboard effects. These amps are great for recording and rehearsing, as their range of tones is much more comprehensive than their tube counterparts.
Which type you choose ultimately comes down to the tone you want to produce. Are you more interested in vintage warmth and authenticity, or modern effects and tonal versatility?
It’s a testament to Fender’s ability to create exceptional amplifiers that they continue to be amongst the most popular on the market after decades of production. Whichever you choose from those listed in this guide, you’ll enhance your tone exponentially.