Chuck Berry Amp Settings for His Signature Guitar Sound!

Author: Liam Whelan | Updated: | This post may contain affiliate links.

John Lennon once said if it wasn’t called rock and roll, it would be called Chuck Berry.

Chuck Berry’s incendiary lead playing ignited the world’s imagination in the 1950s. His supercharged approach to rhythm and blues effectively invented rock and roll as we know it.

Berry’s high-energy onstage antics and an arsenal of lead techniques made him a star, with hits like “Maybellene,” “Roll Over Beethoven,” and, of course, “Johnny B. Goode” enduring to this day.

Learning Chuck Berry’s lead licks and techniques is a compulsory rite of passage for any aspiring rock and roll guitar player.

Anyone looking to emulate Berry’s distinctive, effervescent tone to truly capture the magic and mojo of his recording should look no further than this list. In this article, I’ll be going over Chuck Berry’s choice of guitars and amplifiers as well as modern equipment that echoes his clean-yet-gritty tone.


Like most other mid-century rock guitarists, Chuck Berry used hollow-bodied instruments aimed at jazz players.

His preferred guitars were typically humbucker-equipped hollow-bodied Gibson electrics.

Berry is most famous for playing his ES-350T, nicknamed “Maybellene,” and a cherry red Gibson ES-335.

You can see Berry absolutely shredding – long before the term “shredding” was invented – on his 335 in this video.

Later in his career, Chuck Berry branched out into other Gibson guitars, including Flying Vs and Les Pauls, but the classic Chuck Berry sound is that of a Gibson hollowbody.

The tremendous clarity of Chuck Berry’s tone owes a lot to the natural resonance and snap of the woods used in the construction of his guitars. To get close to his guitar tone, you’ll want to use a hollow-bodied guitar with humbuckers.

The body and neck of the guitar should be maple, with a rosewood fretboard. The ES-335 also has an easy-to-play thin neck compared to its 1950s contemporaries such as the Gibson Les Paul, which has a famously thick “baseball bat” neck.

The thinner neck of the 335 and 350T allowed Chuck Berry to execute the various techniques that defined his guitar sound. All those rapid-fire double-stopped runs and unison bends are much easier to achieve on a guitar with a slender neck.

With that in mind, the Epiphone 335 might well be the best option for modern Chuck Berry fans on a budget. It even comes in the right color!


Helpfully, Chuck Berry generally performed in standard tuning of E-A-D-G-B-e.


The clear, lightly overdriven tone of classic Chuck Berry comes from his loyal use of Fender amplifiers.

Before amp modeling, before built-in gain stages, and even before widespread effects pedals, most serious American guitar players preferred Fender amps.

These amplifiers often had more “headroom,” allowing guitarists to play at higher volumes without their tone distorting.

The exact model of the amp used on Chuck Berry’s classic recordings is lost in the mists of time. However, for live use, Berry was a devoted user of Fender Showman Reverb amplifiers.

The Fender Showman series was introduced in 1960, however, several years after Chuck Berry made his landmark recordings.

Fender amplifiers made between 1948 and 1960 are collectively known as “Fender tweed” amps. These were named as such because of their cloth covering, which resembled tweed cloth.

Chuck Berry would have used one of these amplifiers throughout the 1950s.

Vintage Fender amplifiers from the last century aren’t exactly within the budget of most working musicians, however.

Fortunately, the Fender brand is as strong as ever, with a strong sense of the manufacturer’s heritage.

The Fender ‘59 Bassman is a higher-end amplifier that will certainly offer the clarity and drive necessary to deliver Chuck Berry’s licks with maximum r’n’b authenticity.

A more affordable alternative is the Fender Blues Junior, with the “tweed” covering and 12AX7 tubes necessary to deliver that classic Fender chime.

Chuck Berry Amp Settings

Most players will tell you that Chuck Berry’s tone has more to do with his playing style than his amp settings.

When you’re learning “Johnny B. Goode,” be sure to strike the strings with the right amount of force.

You’ll want to pay attention to where your picking hand is striking the strings. Strum closer to the bridge for more bite and twang.

Be careful with your left-hand technique, too, ensuring that you aren’t fretting the notes too hand or over-bending them. This can affect intonation and create the dreaded “fret rattle” that obscures those beautifully clear Chuck Berry lead lines.

Be sure, too, to use your bridge pickup for more treble and twang.

With all that said, the following amplifier settings on a vintage-voiced Fender amp with a nice hollow-bodied guitar will get you in the ballpark.

Gain: 1

If your amp has a separate gain control, set it as low as possible without using volume. About one should do the trick.

Bass: 3

Chuck Berry left the low end to his bass player. You don’t need much bass in the mix for the biting Chuck Berry sound.

Mids: 5-6

Much of the expressive range and bite of Chuck Berry’s tone comes from the midrange. This is true of most rock and roll guitarists.

Treble: 7

Run your treble knob at about seven. If this feels too airy or thin, try altering your playing technique before rolling back the treble knob.

Classic Riffs Over the Decades

Chuck Berry’s music has endured for almost seventy years now. An entirely new generation was introduced to his guitar playing in the iconic scene from Back to the Future in 1985, almost forty years ago!

Chuck Berry’s guitar style is easy to learn and difficult to master, but a tremendous amount of fun to play. Hopefully, this gear guide will set you on the right path to enjoying those tasty classic rock and roll lead lines.

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About Liam Whelan

Liam Whelan was raised in Sydney, Australia, where he went to university for long enough to realize he strongly prefers playing guitar in a rock band to writing essays. Liam spends most of his life sipping strong coffee, playing guitar, and driving from one gig to the next. He still nurses a deep conviction that Eddie Van Halen is the greatest of all time, and that Liverpool FC will reclaim the English Premier League title.

1 thought on “Chuck Berry Amp Settings for His Signature Guitar Sound!”

  1. Excellent article! I just started working Chuck’s repitoire today. After reading what you said I guess I’m all set to go: I have a red Epi Rivera that I just had plek’d (unbelievably playable now) and a Blues Jr with most of the Bill Machrone mods….


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